But there’s no use in talking to people who have a home, they have no idea what it’s like to seek safety in other people, for home to be wherever you lie your head. When the people I used to know found out what I had been doing, how I had been living, they asked me why. But I didn’t really mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is.
#Ride lana del rey album series
I was a singer, not a very popular one, who once had dreams of becoming a beautiful poet, but upon an unfortunate series of events, saw those dreams dashed and divided like a million stars in the night sky that I wished on over and over again sparkling and broken. Three years down the line of being on an endless world tour and my memories of them were the only things that sustained me, and my only real happy times. 'Ride' uma cano da cantora e compositora norte-americana Lana Del Rey, contida na reedio do seu segundo lbum de estdio, intitulado Paradise.A faixa foi lanada como primeiro single do extended play (EP) no dia 25 de setembro de 2012, atravs das gravadoras musicais Interscope Records, Polydor Records e Universal Music. At night I fell asleep with visions of myself dancing and laughing and crying with them. Sophia Marie in Lana Del Rey Paradise: Sophia Marie’s new single “Venice Beach to D.C.” is out now.I was in the winter of my life, and the men I met along the road were my only summer.
Yes, she is “fucking crazy” as she calls herself in the monologue preceding the track, but, still, she, and the audience who listen to the lyrics and see themselves in them, are “free.” She perfectly describes the perpetual nomad, the one who is never satisfied, who only finds happiness when she is on the open road, the one who’s got a “war in (her) mind” and, so, just “rides.” Lana knows many people won’t understand this sentiment–she admits that she is a girl with no “moral compass pointing north, no fixed personality–but to those that do, the validation, the acknowledgement that she sees us means everything. The album, however, is perhaps best encapsulated in the track “Ride” that is her most autobiographical.
“Carmen” describes a washed-up starlet celebrity walking the streets at night: “you don’t want to get this way: famous and dumb at an early age.” It’s the bad side of Los Angeles, the chasing of the industry through immoral and desperate means, of giving up everything to pursue the dream that ultimately leaves you unhappy. Lana dispels the romanticism and myth of Hollywood, instead, showing it to be dirty and scummy. That you shouldn’t aspire to live the life the day because you simplify it as “fun.” In fact, these types often long for the very mundanity so many take for granted.
#Ride lana del rey album free
She tells you that even those seemingly care-free girls are not, in fact, free from misery. Lana is known to romanticize, but, rightly, she contrasts it with an opposite and equal tragedy. In the first months of the year, the biggest story in music might’ve been Born To Die, Lana Del Rey’s spectacular mess of a debut album, which mangled the. While she sings about the highs of finally achieving a lover in “Radio” - “baby love me cuz I’m playing on the radio,” she also describes complete teenage heartbreak: “mascara running down her little Bambi eyes Lana, how I hate those guys!” She describes the negativity in equating happiness with male validation in “Without You”: “I’m nothing without you all the dreams and all the lights mean nothing without you.” In “Diet Mountain Dew,” she gives her hook: “you’re no good for me, but baby I want you” and describes her lover as “screwed up and brilliant,” in “Million Dollar Man.”īut the album also gives truth about the harm in this emotional volatility, this lack of stability, how horrible it can feel. Doing things that aren’t necessarily “right,” but enjoying them all the same. The personage who implores you is the kind of femme fatale you want lovers and peers to see you as, the one who inspires either jealousy or attraction. The title track “Born to Die” asks you to “take a walk on the wild side,” “to kiss in the pouring rain.” The being in a handsome man’s arms at the Chateau Marmont on Sunset Boulevard. All the recklessness, the running from cops in bikinis, the getting heartbroken by men but because they loved you in the first place. The “Winin’ and dinin’, drinkin’ and drivin’, excessive buyin’, overdose and dyin’ on our drugs, and our love, and our dreams, and our rage” she alludes in “National Anthem.” All the self-importance that is not, actually, unfounded.
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